Hello, everybody! How have you been? It’s been a long time since I published anything, I have been really busy at work writing code for our new motion-capture pipeline at the company. The current one was too complicated and the code was too bloated so the guy I am working with couldn’t maintain it. I was tasked to write some new tools with Python and I suggested to make the code simpler. In a production environment the decision to go simple is a wise one because if things go wrong things can easily be fixed and you can also expand your program when you need to. I used to work more on the creative side as an artist so I know what should work and won’t. I drew this inspiration from Nikon and I will show you one example in today’s article where this philosophy was implemented!
Introduction:
This series is going to be special because we are going to talk about the Nikon S! This is a very special camera because this camera is Nikon’s first 35mm camera design. It’s just an update of the Nikon I/Nikon M models that came earlier and you can consider them to be the same camera in most respects because the differences aren’t that great. This is the camera that started it all for Nikon and it can be considered as one of the most important Japanese camera design ever. Many “experts” consider this to be a clone of the venerable Zeiss Ikon Contax 2 but I will show you that that’s not really the case in this series and I will also make a video about that so please watch it later in this article!
The Nikon S is a very sexy camera. The straight lines give it a brutalist profile and it gives this camera very solid feel in the hand. Its heft also gives you the added confidence to use slower speeds than usual because the weight will somehow give your setup stability. This is a serious tool for professionals and it earned its reputation in the harsh Korean winter fighting during the Korean war. I can confidently say that you can maul a person with a well-placed whack to the face with the bottom of this camera. Yes, I am serious.
The new shop doesn’t have a storefront because it’s inside this unassuming building. You will have to go inside the IFO building and take the elevator to reach the new shop at the 8th floor (#801). It’s kind of out-of-the-way so you will have to use a little bit of effort just to get there but don’t worry, it’s all worth it once you get there.
This is the entrance to the bazaar. I cannot stand the horde of shoppers at the opening so I decided to come during the weekend. There has also been an influx of Chinese buyers from mainland China (P.R.C.) lately and seeing how they behave is something that I want to avoid as much as possible. As you can see in the picture, it’s much more relaxed and I won’t have to squeeze my way just to see something. 
Richard Haw's Classic Nikon Repair and Review 