Repair: Nikkorex F part 2

Hello, everybody! How are you today? I am busy today and my head is painful but I have to write something for you today. I am currently busy with work so I cannot maintain the blog like how I used to and it doesn’t make any sense for me to do so I will be writing less than usual from now on but I will keep this blog online as much as I can. Now, for more light-hearted news, I will continue with our Nikkorex F series today in this article so read it to know more aout what’s going on inside this little camera.

Introduction:

In part 1, we talked about how to clean the camera inside-and-out. While we will only do minimal cleaning and lubrication, it’s enough to make this camera work again and it’s a good exercise for those who wanted to get into camera repair as these cameras are cheap and simple to take-apart. In this part, we’ll go deeper and work on the mirror box. This is a common problem with many older cameras because the lubricants may have dried up or the wrong type of oil or grease was used by anybody who opened the camera before. I had to dig-deep into this camera to extract the mirror box in order to clean and oil it but it’s still relatively easy compared to the Nikkormat series of cameras.

img_5243Here’s the camera with the Nikkor-P 10.5cm f/1.25 Auto, it’s the “tick-mark” version of this lens and it makes a good partner for the Nikkorex F because both of them represent early Nikon F-mount products. While the lens is certainly of a slightly-older vintage this combo is still representative of that exciting era in 35mm photography history when the Nikon F showed the world what’s possible with the “small” format. More

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Repair: Nikkorex F part 1

Hello, everybody! I don’t know if all of my readers are aware that I work for the Japanese animation industry. I am currently working on the latest season of “Ghost in the Shell” so I am currently busy with so many things that I cannot publish a lot these days. It’s a show with characters who had their consciousness “downloaded” to synthetic / robotic bodies. While they’re actually “people”, they’re not “humans” in the true sense of the word. This makes us question what it really means to be “human”. If you ask people who grew up in the New Wave era like me, my answer will be The Human League song and its lyrics! This may sound too simplistic but the chorus goes like “I’m only human, of flesh and blood I’m made.” and then it goes “Human. Born to make mistakes…” – this is where things get more profound. The last line of the female part goes “While we were apart, I was human, too.“, this line is the most powerful line in the song, it cements the idea that making mistakes is part of the whole package of being “human”. Before I get carried-away and sound like an old man contemplating about life I’ll show you something today that makes you question what it means to be a “Nikon” and how mistakes from its marketing and experience gave Nikon a lot of valuable lessons that they used to make one of their best cameras, read on.

Introduction:

Today, I will talk about the Nikkorex F, it’s a camera that’s not being talked much about in many photography circles and many people are even ignorant of this camera. This is not a rare camera at all so its vagueness cannot come from its rarity, the reason probably lie in the fact that many people don’t consider this to be a real “Nikon” at all! Yes, this wasn’t made by Nikon but it carries the Nippon Kogaku brand so who made this and why? Well, the answer to the first question is Mamiya made it, the answer to the next question is the need to make a cheaper F-mount camera to sell along with the expensive Nikon F so that people will buy more Nikkors to use with their new “budget F“. Who proposed this idea is not really clear but one thing is sure, the late Joe Ehrenreich distributed both Nikon and Mamiya in America so he probably had a hand in this decision and so the Nikkorex F was unveiled in 1962, the 2nd F-mount camera to be ever sold!

img_3464The Nikkorex F is a solid camera despite feeling “hollow” in your hands and not as dense as true Nikons tend to be. This is due to the numerous cost-cutting decisions so materials and assembly had to be compromised in some ways. It actually feels much like a Canon 7 or a Yashica to be honest, solid cameras that feel like a tin toys due to cheaper materials and simpler construction. You’ll definitely feel that this isn’t a “Nikon” right away. More