Hello, everybody! I had SPAM for lunch today. SPAM is delicious, I love it so I consider it my comfort food. Many people don’t like it for personal reasons but it’s one of those things that just won’t go-away as portrayed in a famous comedy show from a long time ago. It’s a classic and its taste hasn’t changed for a long time despite some tweaks to the recipe. SPAM is SPAM and it will be with us for a very long time. While we’re on the topic of classics, I’ll show you a lens today that’s been here for some time and is still being made new to this day by Nikon. Like SPAM, some people don’t like it and some love it a lot for certain reasons which I will explain soon. Enjoy your SPAM!
Introduction:
The Nikkor 50mm f/1.4 Ai-S is the SPAM of Nikkors. It’s production started in 1981 and is still being produced and sold today. It was based on the popular Nikkor 50mm f/1.4 Ai which was based on the New-Nikkor 50mm f/1.4 before it. The optical formula hasn’t changed since the mid-70s and it’s still used on the Ai AF-Nikkor 50mm F1.4D that replaced it, which is also being produced and sold today by Nikon. It would have been retired long-ago if this lens is a failure but I consider it a “secret masterpiece” despite having burned by the performance of a bad sample of the Ai AF-Nikkor 50mm F1.4D. Some people will argue that this lens sucks and they’re correct to a certain extent. This is one of those lenses that has lots of sphero-chromatic aberration and coma if shot wide-open but it’s a feature of this lens because it renders beautifully. I love how the designers balanced and used these “flaws” to make this lens do what it does with its rendering and I’ll show you how to use this effectively in this article.
The Nikkor 50mm f/1.4 Ai-S handles better than the Nikkor 50mm f/1.4 Ai. Its focus throw is shorter which allows you to focus faster with this lens. It was launched in 1981 to complement the Nikon F3 and it has sold close to about 800,000 copies (as of writing) according to Roland’s amazing site. The update allows it to meter in all automatic modes with cameras that will allow it like the Nikon FA. It’s feels great holding one as expected from a classic Nikkor. More