Hello, everybody! We had some Japanese-style steak tonight for dinner. It’s a fusion dish, a new take on a classic by adding some elements of Japanese cooking to make it more interesting and familiar to local palates. While it is arguably delicious, this is still a new thing. I estimate that it is probably only less than 2 decades old. While that was delicious, it was built on established cooking techniques and dishes, I feel that there’s still a lot of room for improvement. While we’re on the topic of fusion and improvement, I’d like to introduce to you an interesting lens, it’s an early attempt to fuse 2 paradigms. While it’s a good start, it still has lots of room for improvement but the lens had plenty of potential and that’s what’s most important if you ask me.
Introduction:
Today, we are going to talk about the AF-Micro-Nikkor 55mm f/2.8. This lens is not known by a lot of people due to its rarity. It’s only made a few years before it was replaced by a superior design. This is one of the original lineup of AF-Nikkors introduced in the mid-1980s for their new AF cameras like the Nikon F4, these gained an underserved reputation amongst hardcore Nikkor fans due to the use of plastics. Nikon at that period in time was experimenting with AF lens designs so as a result, many of these suffer from awkward handling characteristics which annoyed those who are used to using classic Nikkors.

The AF-Micro-Nikkor 55mm f/2.8 is a rather boring-looking lens. It looks like a tea cup or a salve pot depending on who you ask. But appearances can be deceiving, this lens is a great performer throughout its range until you reach f/11-f/16 where diffraction begins show. This lens can also go to a maximum reproduction ratio of 1:1 without the use of any accessory, it’s the first lens in the 55mm Micro-Nikkor line that’s able to do this natively since the Micro-Nikkor 5.5cm f/3.5 from 1961. It achieves this feat by using a long-telescoping set of barrels to extend the lens to about twice its length. If it all sounds familiar to you that’s because this is the predecessor of the amazing and still in-production AF-Micro-Nikkor 60mm f/2.8D. While both lenses feel similar, they’re different mechanically and optically. Both can extend their barrels using 2 totally different methods.
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