Repair: Hansa Canon part 2

Hello, everybody! Have you ever been in a situation where you thought you have gotten a good deal but you just realized that you have been screwed? Life is mostly fair, you do not win all the time, nor should you lose all the way. There is always something for you at the end, good or bad. That is just the nature of things and is the natural order of the universe. My readers know that I do not win all the time in my camera repair adventure, sometimes my projects don’t go as smoothly as expected due to defects or because of some idiot getting to the camera before me. Today, I will show you what I meant by that but you must read the article carefully in order to know exactly why.

Introduction:

We’ve talked about our Gucci-wearing broke friend that is the Hansa Canon in the previous article. It is interesting to see what is inside of such a rare camera and even more interesting to for us is the workmanship. One can see that everything did indeed began in a small workshop but that should not excuse the level of crudeness at all. A humble beginning should not mean sloppy. We shall see more of the interior of this camera in this article.

This is just the beginning! If you have been repairing cameras for a while then you should know what I am talking about. Usually, this is as far as I will go if the camera is still clean but this one had some of the nastiest gunk I have ever seen in an old camera.

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Repair: Hansa Canon (part 1)

Hello, everybody! Do you have that friend who always dresses nicely but is actually cheap? He is not cheap because he is frugal but he is cheap because he has nothing much to his name! I had such a friend and he was a miserable piece of work because he is the type of bastard who would eat all the good bits at a dinner but disappears when it is time to pay the bill! Not only that, he is the biggest poser out there, acting like he pays for everyone. Frankly, I am the generous type, I just can’t stand being close to people like him that’s why I told him to bugger off. Today, I will show you one such camera. It looks nice outside but is kind of a mess in the interior. It’s trying to present itself as something it isn’t, but unlike the dork that I mentioned this was all necessary because it’s the first of the many production cameras that the brand ever produced. Although that’s not an excuse since Nippon Kogaku made an even better camera at an even worse state given how the factory had been bombed to nothing, that camera is the Nikon.

Introduction:

The Hansa Canon was made by Seiki Kogaku (now Canon) in the early 1930s as Japan’s first production 35mm camera of its kind for consumers. This is not Canon’s first camera because there is an even earlier one that did not made it into mass production but it has laid the foundations of all cameras that are to be made from the same workshop. It is essentially a copy of the Leica but there’s a lot of differences that made it unique, these were done in order to skirt around patents. But unlike the Soviets who just stole every detail from the Leica (like all good socialists parasites do), the Japs did many different things that made this camera special. There is that stupid pop-up finder to differentiate it from the Leica’s central window, a complicated helicoid focusing unit specially made by Nippon Kogaku (Nikon), a dumb front-facing film counter, the omission of strap lugs, and many more. That’s just the external differences, you will see what’s inside of it later. To their credit, they did improve some things where possible but they are minor or insignificant to mention.

This is the face of Japan’s first production Leica clone. It was sold as a premium item at that time, commanding a high price and it also has an air of luxury to it as well with all the beautiful, shiny details. Despite that, notice that it does not have a slow speeds. It has a frame counter at the front which makes it unique along with the Mickey Mouse look of the focusing unit. The top shell is also unique, and even unnecessary as you will soon see but that’s more for evading a Leica lawsuit than anything else. It’s in pretty bad shape but it looks like something that I am able to restore.

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Repair: Noct-Nikkor 58mm f/1.2 Ai

Hello, everybody! It is with profound sadness that I announce to you the parting of miss Dolly Parton. She is one of my favorites, her voice is excellent, cheerful, and uplifting. But what I love most about her is she has a beautiful pair. Those were great jugs and in the 1980’s when plastic surgery was uncommon, having a natural pair like that was really something. I do not know who Jolene is but she must have been one hell of a woman for miss Dolly to be jealous of! Just to be clear, by pair I mean her boots, what else would it be? Today, I will share with you my own “pair”, they’re just as big and valuable, I’d imagine that they’re the envy of many people, too!

Introduction:

The Noct-Nikkor 58mm f/1.2 Ai is the predecessor of the Noct-Nikkor 58mm f/1.2 Ai-S, both are legendary and not cheap just to say the least. This former is the original, a hallmark of 1970s engineering just to make a statement. It was sold from 1977-1981, a short run compared to its successor which was made from 1981-1998. Both share the same optics as far as I know but the barrel design and construction is totally different as you’ll soon see. This one is a bit heavier, and is more durable in my opinion. We can say the same for all Ai-S Nikkors that have an Ai counterpart. Why choose one over the other? It’s a toss between handling and how you’re going to use it and for what. You choose the newer lens if you need the automatic features that an Ai-S enabled camera offers, you really won’t notice anything significant otherwise. The biggest difference apart from the obvious is the older one has a longer focus throw which enables you to make smaller adjustments. In general, Ai Nikkors (and many earlier ones) have longer focus throws if you compare them the their Ai-S versions.

Like all of the Ai Nikkors, this one is built exceptionally well, much better than the Ai-S ones. It has a longer focus throw which allows for finer focus adjustments. This may be the only reason why you would prefer this over the Noct-Nikkor 58mm f/1.2 Ai-S since the optics are identical.

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